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Some of the concrete design trends in Colorado differ from those in other parts of the country. In Colorado, we see a strong push for higher quality in even the most standard concrete. Even though we specialize in decorative concrete, some of our larger contracts this year include a good portion of standard uncolored broom-finished concrete.
The maintenance for polished concrete is simple. Basically, you sweep it regularly, scrub it on a schedule with appropriate cleaners and burnish it a few times a year. This sounds simple, right? In some cases, this works out perfectly. In others, not so much.
Novice stampers are prone to making a few common mistakes. Some have to do with planning the job. Others have to do with misunderstanding the materials, while still others are simply a lack of familiarity with manipulating stamps and skins. Here’s an opportunity to learn the easy way.
You don’t have to be born into the family business to be good at it, but in Emil Gera’s case, it sure helped. Gera’s father, also named Emil, was a union concrete finisher who would take his son along with him to help on weekend projects. Some of young Emil’s earliest memories involve concrete and a trowel.
We’re in the middle of another winter season. While it’s not predicted to be as harsh as last year’s “polar vortex” winter, we still need to be thinking about all the possible causes and sources of winter damage and eliminate them.
We wrote about the plans by Buddy Rhodes Concrete Products to support an organization called Arts for Life with an auction. The intent was to support an organization that provides an artistic, creative outlet to children and their families who are coping with life-threatening illnesses.
Interesting explanation for why ancient mortar has lasted long.
A vinegar-producing company needed a heat- and chemical-resistant floor for their busy production facility. TNT Resurfacing partnered with Azevedo Concrete to install Westcoat’s premier urethane cement system,Temper-Crete, throughout the 1,450-square-foot processing area.
Artists approach design as a space-filling exercise. As such, the first thing they consider is the format within which they will be working. The shape of the format will radically alter the distribution of elements within it. The elements of design are the simple building blocks artists have to work with.
We asked everyone the same set of questions. It wasn’t easy to approach this, given our friends’ varied experiences and applications. Perhaps the first challenge to looking ahead this way is defining the industry in general.
